Name: Varun English Guide Indian Literary Criticism and Theory 2 MA 4th Semester Paper 17 (1) Panjab University Chandigarh
Brand: Amit Book Depot
Price: 350 INR
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"Varun Indian Literary Criticism And Theory-II (Paper-XVII-I) for MA 4th Semester Panjab University Chandigarh" is a meticulously curated academic resource designed for MA Semester 4th students specializing in English Literature at Panjab University (PU) Chandigarh. Authored by Dr. (Mrs.) S. Nautiyal and Prof. Hans Raj Madnpotra, this book provides an in-depth exploration of Indian literary criticism and theory, aligning perfectly with the PU syllabus. Published by Varun Enterprise, this book serves as an essential guide for students seeking a thorough understanding of Indian literary thought, postcolonial discourse, and critical paradigms.

Comprehensive Coverage of Key Literary Theories

The book is structured into five well-defined units, each addressing pivotal themes and contributions in Indian literary criticism:

Unit I: Foundations of Indian Literary Thought

"The Dance of Shiva" by Anand Coomaraswamy: Examines the interplay of art, culture, and spirituality in Indian aesthetics.

"The Meaning of India" by Raja Rao: Explores the philosophical and cultural essence of India through literature.

Unit II: Nationalism and Indian Literature

Aurobindo’s "Indian Literature" and "The Foundations of Indian Culture": Discusses the evolution of Indian literature and its cultural roots.

Vinayak Krishna Gokak’s "The Idea of a National Literature": Analyzes the concept of a unified national literary identity.

Unit III: Postcolonial and Nativist Perspectives

G.N. Devy’s "After Amnesia": Critiques the impact of colonialism on Indian literary memory and revival.

Bhalchandra Nemade’s "Nativism in Literature": Advocates for indigenous literary traditions over Western influences.

Unit IV: Historiography and Autobiographical Narratives

Bhikhu Parekh’s "Indianisation of Autobiography": Studies the adaptation of autobiographical writing in Indian contexts.

G.N. Devy’s "Two Paradigms of History": Compares Western and Indian historical narratives in literature.

Unit V: Progressive and Dalit Literary Movements

"Manifesto of the Indian Progressive Writers Association": Highlights the socio-political role of literature in pre-Independence India.

Saran Kumar Limbale’s "Dalit Literature and Aesthetics": Examines the emergence and significance of Dalit literary expression.

Key Features of the Book

1. Syllabus-Aligned Content: Tailored for MA Semester 4th PU students, ensuring relevance to exam patterns and coursework.

2. Critical Analysis: Provides detailed interpretations of seminal texts in Indian literary criticism.

3. Authoritative Contributions: Includes works by renowned scholars like Aurobindo, G.N. Devy, and Anand Coomaraswamy.

4. Thematic Diversity: Covers nationalism, postcolonialism, nativism, and Dalit literature for a holistic understanding.

5. Academic Rigor: Ideal for research, assignments, and exam preparation with well-structured arguments.

Why Choose This Book?

1. Essential for MA Semester 4th Exams: Directly follows the PU syllabus, making it a must-have for students.

2. Enhances Critical Thinking: Encourages analytical engagement with Indian literary theories.

3. Broadens Literary Perspectives: Introduces students to diverse Indian and postcolonial discourses.

4. Trusted Authorship: Written by experienced academicians Dr. (Mrs.) S. Nautiyal and Prof. Hans Raj Madnpotra for accuracy and depth.

Have Doubts Regarding This Product ? Ask Your Question

Q1

Is this book strictly based on the MA Semester 4th PU syllabus?

A1

Yes, it is fully aligned with the Panjab University syllabus for MA Semester 4th (Paper-XVII-I).
Q2

Does it include critical analysis of texts or just summaries?

A2

It provides detailed critical analysis along with contextual interpretations.
Q3

Is this book useful for research purposes?

A3

Absolutely, it offers deep theoretical insights beneficial for research and assignments.
Q4

Does it cover Dalit literature in detail?

A4

Yes, Unit V includes Saran Kumar Limbale’s "Dalit Literature and Aesthetics" with a thorough discussion.
Q5

Are there any practice questions or exercises?

A5

The book follows an analytical approach, helping students frame answers but does not include direct exercises.
Q6

Is this book suitable for competitive exams like UGC-NET?

A6

Yes, the critical theories discussed are relevant for UGC-NET and other literature-based exams.
Q7

Is the language complex or student-friendly?

A7

It is academic yet accessible, designed for MA-level students.
Q8

Does it discuss the Progressive Writers' Movement?

A8

Yes, Unit V covers the Progressive Writers' Association Manifesto in detail.
Q9

Are there references to Western literary theories for comparison?

A9

Some sections, like G.N. Devy’s "Two Paradigms of History", compare Indian and Western literary historiography.
Q10

Are there any additional reading recommendations?

A10

The book references primary texts, encouraging further reading for deeper understanding.

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Unit I

1. Anand Coomaraswamy

The Dance of Shiva

2. Raja Rao

The Meaning of India

Unit II

3. Aurobindo

"Indian Literature",The Foundations of Indian Culture

4. Vinayak Krishna Gokak

"The Idea of a National Literature" Indian Literature

Unit III

5. G.N.Devy

"After Amnesia",After Amnesia

6. Bhalchandra Nemade

"Nativism in Literature"

Unit IV

7. Bhikhu Parekh

"Indianisation of Autobiography"

8. G.N. Devy

"Two Paradigms of History",of Many Heroes

Unit V

9. Manifesto

of the Indian Progressive Writers Association

10. Saran Kumar Limbale

"Dalit Literature and Aesthetics"

Latest Syllabus of English Guide Indian Literary Criticism and Theory 2 MA 4th Semester Paper 17 (1) Panjab University (PU) Chandigarh

Paper XVII (Choose any one)

(1) Indian Literary Criticism and Theory II

This paper is an extension of the paper on Indian literary criticism introduced in

Semester III. Here the focus would be on twentieth century texts and literary

Interventions. Right from the days of the Freedom Movement, Indian literary

criticism has increasingly taken political turns. At one level, attempts have been made

to de-colonize literary theory by way of excavating schools and theories of the ancient

past, at another level, the endeavour has been to search for critical alternatives from

within the historical past. While in the previous paper, the thrust has been on wellevolved and taxonomically rich critical frames of rasa, dhavni and vakrokti, here the

emphasis is on theoretical debate about the possibilities of multiple critical authorizes

that exist in Indian culture.The paper shall consist of five questions of 16 marks each,

one from each unit. The questions shall be designed in such a way that they focus

more on the candidate‘s understanding of the issues involved in literary studies, and

not just his/her capability for memorizing information. Also, there could be questions

of practical nature in which the candidate may be asked to apply his/her analytical

skills to literary texts. Each question shall have internal choice, and is to be answered

in 500-600 words. The paper shall carry a total of 80 marks.

Unit I

1. Anand Coomaraswamy, ―The Dance of Shiva", The Dance of Shiva (Delhi:

Munshiram Manoharlal Publishers, 1999 ed). 83-95.

2. Raja Rao, The Meaning of India (Vision Books, 2007 2

nd Edition). 153-174.

Unit II

1. Aurobindo, ―Indian Literature", The Foundations of Indian Culture, Vol. 14

Birth Centenary Library, Pondicherry(255-322)

2. Vinayak Krishna Gokak, "The Idea of a National Literature: Indian

Literature‖, The Concept of Indian Literature (Delhi: Munshiram Manoharlal

Publishers, 1979) 75-85.

Unit III

1. G.N.Devy, ―After Amnesia", After Amnesia: Tradition and Change in Indian

Literary Criticism (Hyderabad: Orient Longman, 1992)

2. Bhalchandra Nemade, ―Nativism in Literature", translated and edited by

Arvind Dixit and Makarand Paranjape, Nativism: Essays in Criticism (Delhi

Sahitya Akademi).

Unit IV

1. Bhikhu Parekh, ―Indianisation of Autobiography", Colonialism, Tradition

and Reform (Delhi, Saga, 1989)

2. G.N. Devy, ―Two Paradigms of History", Of Many Heroes (Hyderabad:

Orient Longman, 1998).

Unit V

1. "Manifesto" of the Indian Progressive Writers Association, London, 1935,

https://archiveseducate.files.wordpress.com/2014/02/manifesto-of-the-indianprogressive-writers-association.pdf

2. Saran Kumar Limbale, ―Dalit Literature and Aesthetics" in Towards an

Aesthetics of Dalit Literature (Delhi: Orient Blackswan,2004).

Comprehensive Coverage of Key Literary Theories

The book is structured into five well-defined units, each addressing pivotal themes and contributions in Indian literary criticism:

Unit I: Foundations of Indian Literary Thought

"The Dance of Shiva" by Anand Coomaraswamy: Examines the interplay of art, culture, and spirituality in Indian aesthetics.

"The Meaning of India" by Raja Rao: Explores the philosophical and cultural essence of India through literature.

Unit II: Nationalism and Indian Literature

Aurobindo’s "Indian Literature" and "The Foundations of Indian Culture": Discusses the evolution of Indian literature and its cultural roots.

Vinayak Krishna Gokak’s "The Idea of a National Literature": Analyzes the concept of a unified national literary identity.

Unit III: Postcolonial and Nativist Perspectives

G.N. Devy’s "After Amnesia": Critiques the impact of colonialism on Indian literary memory and revival.

Bhalchandra Nemade’s "Nativism in Literature": Advocates for indigenous literary traditions over Western influences.

Unit IV: Historiography and Autobiographical Narratives

Bhikhu Parekh’s "Indianisation of Autobiography": Studies the adaptation of autobiographical writing in Indian contexts.

G.N. Devy’s "Two Paradigms of History": Compares Western and Indian historical narratives in literature.

Unit V: Progressive and Dalit Literary Movements

"Manifesto of the Indian Progressive Writers Association": Highlights the socio-political role of literature in pre-Independence India.

Saran Kumar Limbale’s "Dalit Literature and Aesthetics": Examines the emergence and significance of Dalit literary expression.

Key Features of the Book

1. Syllabus-Aligned Content: Tailored for MA Semester 4th PU students, ensuring relevance to exam patterns and coursework.

2. Critical Analysis: Provides detailed interpretations of seminal texts in Indian literary criticism.

3. Authoritative Contributions: Includes works by renowned scholars like Aurobindo, G.N. Devy, and Anand Coomaraswamy.

4. Thematic Diversity: Covers nationalism, postcolonialism, nativism, and Dalit literature for a holistic understanding.

5. Academic Rigor: Ideal for research, assignments, and exam preparation with well-structured arguments.

Why Choose This Book?

1. Essential for MA Semester 4th Exams: Directly follows the PU syllabus, making it a must-have for students.

2. Enhances Critical Thinking: Encourages analytical engagement with Indian literary theories.

3. Broadens Literary Perspectives: Introduces students to diverse Indian and postcolonial discourses.

4. Trusted Authorship: Written by experienced academicians Dr. (Mrs.) S. Nautiyal and Prof. Hans Raj Madnpotra for accuracy and depth.

Unit I

1. Anand Coomaraswamy

The Dance of Shiva

2. Raja Rao

The Meaning of India

Unit II

3. Aurobindo

"Indian Literature",The Foundations of Indian Culture

4. Vinayak Krishna Gokak

"The Idea of a National Literature" Indian Literature

Unit III

5. G.N.Devy

"After Amnesia",After Amnesia

6. Bhalchandra Nemade

"Nativism in Literature"

Unit IV

7. Bhikhu Parekh

"Indianisation of Autobiography"

8. G.N. Devy

"Two Paradigms of History",of Many Heroes

Unit V

9. Manifesto

of the Indian Progressive Writers Association

10. Saran Kumar Limbale

"Dalit Literature and Aesthetics"

Have Doubts Regarding This Product ? Ask Your Question

Q1

Is this book strictly based on the MA Semester 4th PU syllabus?

A1

Yes, it is fully aligned with the Panjab University syllabus for MA Semester 4th (Paper-XVII-I).
Q2

Does it include critical analysis of texts or just summaries?

A2

It provides detailed critical analysis along with contextual interpretations.
Q3

Is this book useful for research purposes?

A3

Absolutely, it offers deep theoretical insights beneficial for research and assignments.
Q4

Does it cover Dalit literature in detail?

A4

Yes, Unit V includes Saran Kumar Limbale’s "Dalit Literature and Aesthetics" with a thorough discussion.
Q5

Are there any practice questions or exercises?

A5

The book follows an analytical approach, helping students frame answers but does not include direct exercises.
Q6

Is this book suitable for competitive exams like UGC-NET?

A6

Yes, the critical theories discussed are relevant for UGC-NET and other literature-based exams.
Q7

Is the language complex or student-friendly?

A7

It is academic yet accessible, designed for MA-level students.
Q8

Does it discuss the Progressive Writers' Movement?

A8

Yes, Unit V covers the Progressive Writers' Association Manifesto in detail.
Q9

Are there references to Western literary theories for comparison?

A9

Some sections, like G.N. Devy’s "Two Paradigms of History", compare Indian and Western literary historiography.
Q10

Are there any additional reading recommendations?

A10

The book references primary texts, encouraging further reading for deeper understanding.